故事(🆓)分成三個章節：主要的章(zhāng )節由(yóu )高達親(qīn )(🕸)自(zì )飾演(yǎn )導演，正要趕(gǎn )乘(🎹)飛機(🥈)，在(zài )24小時內把(🐮)一部(💤)電影(yǐng )的菲林交(⏬)給監製(zhì )；同(🏇)時一隊二人流行電子音樂組(🤷)合，不斷排練歌曲(💆)，最後在路上(shàng )(🏐)表演(🐖)；另(lìng )一邊廂，愚笨的大肥(féi )(🙁)佬捲入一宗事件，被神秘女人密(mì )切(🚢)監(🌙)視，最後更被(🌚)拘捕。三(⏯)段(duàn )故事看似(sì )毫無(wú )關(🎛)連，實(🥎)際(🥔)是高達(dá )以電(diàn )影(yǐng )來討論電(diàn )影(🤸)製(zhì )作和藝(yì )(👓)術創作的重要。片名看似(🤷)帶(👃)有(🧤)弦外之音，就像高達暗示(shì )，假(jiǎ )如監(🐀)製或其他人要干(🌮)擾導演的藝術創作，就索性我行(háng )我素，忠於自己(jǐ )的(de )(🐛)道(dào )路好了。這大概亦示範了(le )(💹)高達如何(😝)純熟地運用電影媒(🤔)體來做評論。　(🔷)　(👵)A film in three chapters: Godard plays the director in the main chapter, rushing to catch a plane to pass the negatives to his producer within 24 hours; an electronic duo keeps rehearsing for their roadshow; a clumsy fat man gets involved in an incident, and is arrested after being watched by a mysterious woman. Seemingly unrelated events, Godard is discussing the importance of film producer and artistic creativity. Godard is making the statement that if a producer or anyone interferes with creativity, it is better for the artist to go one's own way. A showpiece of how Godard uses the film media as his critical essay.